How to Write a Good Essay About Qualities

How to Write a Good Essay About Qualities From time to time students are given a task of writing a quality essay.  Either it should be a work on your very own traits or your personal hero, this might be a hard work followed by unexpected complications. Do not rush to buy essay, read the statements below firstly. Structure Structuring the text is one of the biggest problem for essay writer faces while working on a quality essay. But basically rules, that work for regular essays work here as well. Your piece should have a following composition: Introduction It takes approximately 10% or your quality essay. In this part you kind of like get your reader to know what the whole piece is going to be about. It should be intriguing as well. Imagine it as the question you ask to yourself and to the reader. Main Body Well, here you answer the question you asked in the previous part through writing sown your thoughts about qualities. If your essay is about yourself, then you can devote these 80% of your piece to analyzing your traits and different life situations where they declared themselves. Don’t decline from your subject too much, it may lead to ruining the whole work. Always remember, that you are working on a quality essay, not a novel on friendship or fantasy book. Stick to the topic, it may seem like a common sense, but actually lots of people are having troubles with this. You don’t want to be one of them, eh? Conclusion The last 10% of your essay, a lot of people will say, that this is the hard part and they are right. In this one or two paragraphs you should define, what qualities make a good person, teacher, space marine, etc. If your introduction was the question, then main body was your way to find the answer – conclusion. Imagine your text like that and you will not face a lot of difficulties in your writing. Tip: Don’t forget to format your essay according to demand of your teacher/professor. To find additional information, read how to format an essay. What to write? If structure is basically the same for any type of essay, content differs very much. In quality essays actions are never the subject. Your thoughts on the topic is what important. One more interesting thing for quality essay is that depending on who you are writing about, some traits or characteristics may be good and appropriate for one person and at the same time impermissible for another. Here are examples of three different quality essays: Qualities of a good friend â€Å"For someone word â€Å"friend† provokes in image of some particular person in their head. However, for me it is not an image, it is more like a feeling of deep connection and trust to someone. For me, only a person with some particular traits is able to make me feel that way towards him or her. Loyalty, ability to help and comfort in a hard time are main qualities we seek in those people. Plato once said: â€Å"A friendship is phenomenon of one soul living in two bodies†. It is fun, how such an old saying is still true even in modern days. Ability to share interests and points of view makes such relations beautiful and lasting. And to my mind this is the main reason friends are so valuable. So if you ask me, what makes a friend, I’ll just cite Plato to you, and I am sure, you’ll get the idea.

Dai Sijies Creation of Beauty - Literature Essay Samples

Beauty in its physical embodiments is one of the most important overarching themes of Dai Sijies novel Balzac and the Little Chinese Seamstress. Dai creates a sense of beauty in the novel by highlighting the beauty of the characters, the place and the natural scenery. In exploring beauty in a truly multi-faceted manner, he is exceptional in his use of literary techniques such as attention to detail, juxtaposition, connotation, and metaphor, techniques that together indicate the human desire for beauty. Firstly, Dai creates a sense of beauty through his portrayal of specific characters; most obvious embodiment of this approach is the Seamstress. In the third chapter of the novel, when Luo and Ma arrive at the tailors shop and are first introduced to the Seamstress, she is described with extraordinarily close attention to detail. Instead of talking about her appearance as a whole, Dai instead chooses to write about specific qualities such as the ‘sparkle in her eyes’, the ‘sturdy and supple’ appearance of her shoes, and the way that her pigtail falls from the ‘nape of her neck down to the small of her back’. The smallness of these details, combined with the vulnerability suggested through connotation by words such as ‘supple’ and ‘nape’, illuminates the image of the Seamstress in an incredibly intimate way. The sense of emotional closeness—of tenderness, almost—created as a result is what really makes her seem beautiful. The Seamstress’s loveliness is also emphasized through the use of connotation in the passage. Throughout the passage, Dai describes her as ‘delicate’, ‘sophisticated’, and ‘fine’. These words, which suggest grace and daintiness, create an image of distinguished beauty. Dai also uses juxtaposing word pairs such as ‘cheap’ and ‘sophisticated’, and ‘barefoot’ and ‘supple’, which also contribute to this impression by showing the contrast between the Seamstresss feminine refinement and the unattractive coarseness of her surroundings. However, Dai’s characters don’t just possess beauty in terms of their appearance. The Little Seamstress is one of the most coveted women in the valley, her absence causing ‘great distress to all of the young bachelors.’ Her father the tailor, another major character in the novel, is also shown as having extremely high status, with ‘scenes of great excitement’ following him wherever he went. The pair are also referred to respectively as ‘like a king’ and ‘the princess of Phoenix Mountain’, suggesting that they have been exalted to the status of royalty. The fact that the pair are successful and celebrated almost to the point of being deified adds to their appeal by making the readers view them as people of incredible worth. It is also worth noting that the tailor’s success is mainly due to the fact that new clothes are ‘much in demand’. The villagers’ desperate want for new attire, as well as the painstaking means through which they acquire it (going ‘all the way’ to Ying Jing to buy cloth and then sitting through arduous meetings with the tailor) suggest that the tailor is a metaphor for the desire for beauty. Dai doesn’t just portray the beauty in his characters, but also in the natural scenery. In the final paragraph of the extract, he recounts the boys’ ascent up a ‘steep, slippery path shrouded in milky fog’. The word choice in this passage is very interesting— ‘shrouded’ suggests etherealness, but also alludes to death; ‘milky’ creates mystery, but also emphasizes the opaqueness and danger of the fog; ‘steep’ and ‘slippery’ suggest excitement and adventure, but also mortal peril. The stark juxtaposition between the mountain’s apparent appeal and its implied danger creates a paradoxical allure. Dai ultimately depicts the human desire for beauty as a driving force that drastically transforms the lives of his characters. Luos desire for beauty in particular, physical beauty leads him to pursue the Little Seamstress, a sexual awakening which marks his transition from into adulthood. Similarly, Four-Eyes desire for the beauty of Western literature motivates him to smuggle a suitcase of banned books into the country, a foolhardy and extremely dangerous action, but one that ultimately changes his destiny, as he trades the books for poems that enable him to go back to the city. But the most obvious embodiment of the desire for beauty is the Little Seamstress. Four-Eyes books introduce her to a world of sophistication and romance, a world which she immediately begins to covet. Such is the extent of her longing for the beauty she saw in the books that she chooses to her appearance and leaves her village in pursuit of her vision. Thus, Balzac and the Little Chinese Seamstress creat es a sense of beauty by highlighting the beauty of the characters, and by doing so through carefully-honed yet diverse literary techniques.